Commercial photographer, Melbourne.
The photo library a business publishes.

Full resolution files through a private link, with web sized versions alongside them, so nothing needs resizing before it goes on a site or a socials post. Files stay available for three months after delivery.

Yes. As a hybrid shooter I capture stills and video from the same setups, so a commercial brief can cover the website photos and a short film in one day, with one invoice.

Every shoot is quoted as a fixed fee against the brief, not off a rate card. Tell me what the images must do and where they will run, and the scope comes back with the quote.

A single space or a small team is a half day. A full venue, a fitout across several rooms, or a team of more than about fifteen is a full day. The scope is agreed before the day.

Yes. Send a few images you already publish, or your brand guide, and the lighting, colour and crop are matched before the day. New frames then sit alongside the existing library as one body of work.

Selects arrive in about three business days, and the full graded set follows in ten to fifteen business days. Larger briefs get a firm date in the scope before the day.

Yes. Commercial licensing for your own website, socials, print, decks and paid media is included, in perpetuity. Hired models carry their own usage terms, quoted as a separate line.

Colour, crop and exposure changes are included, and frames that miss the brief are fixed before the final set goes out. Send your notes in one message so the revisions come back together.

Yes. A single day is one brief at a fixed fee, and agency work is shot under the client's brand, quoted against the brief like any other shoot.

Send through what the shoot is for and roughly when. A short call pins the scope down, then the proposal, contract and payment schedule come through one client portal. Dates hold on a signed proposal and a deposit.