Melbourne photographer
for brands that publish.

Commercial, corporate headshots, events, product and aerial, from one photographer. Most briefs mix two or three of those in a day, so the team, the premises and the product all land in the same library.

Yes. As a hybrid shooter I capture stills and video from the same setups, so a brand film or social media cuts come out of the same day as the photo library. See the videography page for the films.

Shoots are quoted as a fixed fee against the brief, because setups drive the day more than hours. Tell me what the images must do and where they will run, and the scope comes back with the quote.

A half day typically delivers 40 to 80 finished frames, a full day 100 to 200. Selects arrive in about three business days, and the full graded set in ten to fifteen. The spread matters more than the count.

I come to you. Most commercial and headshot work is better on your own premises, with a portable lighting kit, and a studio is booked only when a brief needs one.

Yes. Send a few frames you like or the brand guide, and the lighting, colour and crop are set to them before the day, so new work sits beside what you already publish.

Yes. Every delivered frame is graded, and portraits get the standard pass: skin evened, stray hair and distractions removed. Compositing or reshaping a product is quoted separately, as a different job.

Yes. Commercial licensing for your own website, socials, print, decks and paid media is included, in perpetuity. Hired models carry their own usage terms, quoted as a separate line.

Yes. A single day is one brief at a fixed fee. A standing day holds a monthly slot and rate. Quarter, half and full day rates are in the packages guide, and agency work is shot under your brand.

Send through what the shoot is for and roughly when. A short call pins the scope down, then the proposal, contract and payment schedule come through one client portal. Dates hold on a signed proposal and a deposit.